So classical music finds itself in a crisis. No ability to perform concerts in person during the coronavirus restrictions, and woefully underprepared for the online world. We’ve already seen a mad dash to livestream any and all content with little planning or strategy. This crisis is going to be a long journey, so here’s my prediction of the six stages of what’s going to happen.
I’m also aware that this is going to be a shit read with some potentially hard truths… but the good news is that there is some potential hope at the end
(It’s also longer than expected, so I’ve put in a coffee break)